Poetry
Bodega
Published in The Acentos Review, 202o
https://www.acentosreview.com/June2021/marcella-peralta-simon.html
What happened that final day?
Sandwiched in between a vacant lot,
Gold and green glass strewn and
Gleaming new high rise.
Men drinking Colts from bags as wrinkled as their faces,
Construction cones block the entrance,
Bug encrusted sign BEER FOOD WINE,
Dingy cardboard covers the gaping holes.
Hide your eyes in the merciless Florida light.
Egret standing one legged by the dumpster waiting for heels of stale bread,
One solitary can on a dusty shelf,
Once in rows like soldiers on parade.
Exhausted women dragging children to buy milk.
Deli glass case empty,
Once sent out ham sandwiches and Café Cubano,
For the workers building the high-rise next door.
Did the owner make change until the shadows fell over the street?
Shreds of lotto tickets litter the linoleum,
Did the rents get too high to survive in a tourist town?
Once dreams ripped off rolls like calendar months.
Did his only son die in a car crash or become an engineer?
The door padlocked, the sign sputtered, faded, and went black.
How Do I Measure a Life?
Published in Poets Choice, 2021
Items piled high in shopping carts,
Tupperware filled with leftovers.
Crying in the rain, on the john,
Waiting for sleep.
Stomach flips of attraction,
door slams of frustration.
Steps around a lake,
Dog trotting alongside.
Dusty boxes marked keep, donate, and throw away.
Forgetting small things,
putting cups under coffeemakers,
turning off stoves,
directions to places I have gone before.
Parts dropping off along the way,
back, knees and shoulders.
Calling for them, stooping over potholes.
They do not obey.
Sipping Pinot in gilded rooms,
slurping noodles from a street vendor.
Sleeping on stones and dirt,
or a first -class lounge,
slumped in soft leather.
Drops of crimson in the water,
first strawberries of summer.
Pairs of guileless eyes,
sparking anger,
filled with wonder.
All the same to me-
So how do I measure?
Why I Write, 2020
I write because:
In second grade a teacher copied my poem “Christopher Columbus”
On giant three ruled paper for all to see.
I wrote “His crew were afraid and to their God they prayed”.
The theatre marquee of childhood,
Announced my fate.
I write because:
My lost baby is always on my lips, my tongue,
Appearing out of the ether of possibility,
Fully formed as a young man.
I cannot say his name,
For fear of breaking an unholy silence.
He lives on the page.
I write because:
A dream fragment floats just out of reach,
I cannot discern from whence it came,
Waking or sleep.
I must capture it in my net,
Pin it to paper like the head of a mythical butterfly.
I write because:
One day my daughter will dump my life into a black plastic bag,
She will find a frayed notebook,
Longing oozing from the pages,
It stains her hands,
She cannot scrub it away.
Florida Haikus, 2019
Spreading his great wings
Mottled cape and wrinkled head
The Wood Stork poses for me
Sultry metal scales- the Gator
Slips into the water
Smelling fear below
Hound dog briskly trots
Surveying her swampy domain
No creatures howl back
Coogee Haikus
Published in The Weighing of the Heart: An Anthology of Emerging West Australian Poets, 2007
Time is now leaking
From my pores freshly open
Otherwise silent
Wind whips through ashes
Born across the city streets
The haze lifts at noon
Brittle brown palm fronds
Wave at the window greeting
Indifferent to all
A sliver of gold
Is served on a plate of black
Wind ruffles the feast
Aging
Published in Persimmon Tree, 2024
They say aging is hard,
Knees buckle and stab;
Eyes strain to read a menu at Olive Garden;
Checkout lady at Publix calls you "sweetie".
There is also a suspension, a revelation,
Alligator eyes peering over the water;
Moonlight through the palm fronds;
Sweet slices of ginger in a jar.
Veranera
"Ay, Marcella, we were never close," she says
sadly- as though explaining
our lives together, mother and daughter,
to a small, stupid child.
Her eyes cloud over with cataracts,
her mind clouds over with dementia,
she shivers in the bone-chill
of November in Virginia.
I once knew her- long ago-
in another place, another chapter,
on a coffee plantation in her homeland.
Veranera blossoms swaying in the warm wind
on a farmhouse porch where she held my sobbing head,
fresh from heartbreak, and stroked my back,
each caress a reminder to breathe,
To forgive,
To move on.
At that moment our fence swung wide
and seven horses stampeded in
from the ranch next door, followed
by panicked farmhands.
"Who left the gate open?",
she shouted into the wind.
"Idiota!" We laughed, we cursed,
and the spell of sadness was broken.
Now, watching her descend
into a chasm from which there is no return,
I know I can no longer present her with this story,
Evidence that we loved one another.
All I can do is fetch a blanket
and drape it over her scrawny shoulders,
wrapping the warmth around us,
each shared breath a reminder
To forgive,
To move on.
Oregon Coast
Over thirty years ago;
We split a steamed crab, cracking and sucking on the sand,
We broke bread and guzzled wine,
We slept in a creaky bed at a seaside inn, not touching.
"I feel desire.", she confessed on the terrace, looking down at the ink black sea.
"Love yes, but not just love. For what is love without desire?"
"I feel love, but not desire", I replied, gazing up at the cloudy night sky.
"Not the the anger and pleasure of passion,
Not the spark of a hand on a thigh,
Not even the urge to gather twigs for a nest."
Her pretty brow wrinkled, perplexed;
She, named for the huntress, whom the whole world desired.
She, who ran headlong into the waves calling to her goddess of froth and fury.
She, dancer of the Irish ginger and Mexican hips.
She, of many lovers for whom love became need
and desire a mere exchange of flesh, an act, a culmination.
For what is desire without love?
Today I searched for her name;
She is still standing on the Oregon coast,
Arms outstretched to the azure waters,
Minnows swimming by her toes.
Ode to Bernadette
Is that you, Bernadette?
Peering at the map in the Paris Metro,
Your sole request, a cup of McDonalds ice melting down my front.
Walking between two cavernous cafes
to reach the sliding doors.
Is that you, Bernadette?
Wandering down endless corridors
straining to read the signs.
Pediatrics, Radiology, Oncology, Gynecology;
Labyrinths reeking of cleaning fluid and death.
Is that you, Bernadette?
A wrinkled pixie in a white gown,
paisley tied round your head,
Waltzing with an IV stand across the tiles,
Mocking my maskless state with an elbow bump.
Is that you, Bernadette?
Long ago we prowled across campus,
Lionesses hunting for
Lovers in the computer lab.
You swam laps around me in the dusk,
Ran leagues ahead of me over scorching savannahs.
You once invited me to a party;
men in eye liner smoked and lounged.
I was not cool enough to belong.
Is that you, Bernadette?
Perched on your metal bed,
I recount your saga as you smile weakly.
You do not need me to sing your glories like an ancient scribe.
You led travellers across the Rockies.
You took your daughter to live in a foreign land.
Away from the man laughing in a wedding photo,
Away from your gaggle of Irish Catholic sisters and brothers.
You rebranded African states and aging rockers,
You held virtual salons with divas from your tiny flat.
You remade yourself over and over,
Without bluster or regret.
Is that you, Bernadette?
All these many years,
We did not sip lattes in a Parisian Cafe,
Nor sip champagne at your fiftieth in a Tuscan villa;
Nor hike together in the Costa Rican jungle.
I always thought there would be time.
Is that you, Bernadette?
At the Zoom memorial
African immigrants spoke of your kindness.
Your daughter read a poem.
A diva sang Ave María.
I wrote on your ethereal page.
Is that you, Bernadette?
Could all of you fit into a simple box?
At the finale, I saw you slide into the flames.